20220113巴黎观影之4|巴黎的电影院放法语电影竟然连法语字幕都没有逼得我睁大眼睛关注每一个表情竖起耳朵听每一句台词似乎获得了更沉浸的观影体验所以看的过程非常投入放大了这部片子的优点:即以细腻得宛如放大镜一般的镜头贴近每一丝情绪的起伏但本质上这部片子和同性没啥关系剧本和故事来说甚至可以说是老套(关于懵懂隔阂关于失去和接纳失去)音乐和大光圈逆光特写也用得太多主要靠表演和镜头画面的呼吸感来推动我的奴隶女总裁属于是某种非常典型的欧洲影展片了(但我也还是好好哭了一哭)(但事后想想还是有点无聊)@Le Bardy Paris
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21年的片子 全片中规中矩也没有特别有记忆点的地方除了——在床上画画那一段是在致敬portrait of a lady on fire吗两个女主有点苏
As is said in the documentary, this is the final of the final and because of a few was shot on location. It is less great than the 50 moments of Harry Potter but is one of the best treasures in the young and vulnerable years.